Friday, January 25, 2008

Stop the Presses


Couldn't find Adolphe in anglais anywhere and sadly it seems that the five years I spend learning 'ir" verbs in French class went for naught.

So we're switching tacks to a double-barreled classics onslaught. Going for a little light kid listening on the audiobook side with Peter Pan by J.M. Barrie. I'll also be getting down in a textual way with The Aran Islands by John M. Synge.


Thanks for screwing up my expectations for all women Tink, you minx.

Sunday, January 20, 2008

Next Up


Adolphe by Henri-Benjamin Constant de Rebecque

All I've got to say is don't count on a good review if you say anything bad about L'Empereur Napoleon, Hank.



Don't mess with my boy----------->

Saturday, January 19, 2008

Mansfield Park


Jane Austen (1775-1817)

When I think about the wonderful prose and beautiful story of Mansfield Park one thing comes to mind; cousins getting it on. That's basically what this Jane Austen novel comes down to. It's a Jane Austen work so we can assume a couple things. First, there are some rich aristocrats hanging out at a really nice estate. Second, there's some love shenanigans. Third, there's some legitimately funny writing.
Mansfield Park focuses on the story of Fannie Price, a girl who has moved from her poor family in Portsmouth to her rich aunt and uncle's estate. Although she is loved there, she is clearly seen as inferior to her cousins, Maria, Tom, Edmund and Julia. These Bertrums are also accompanied by Lady Bertram, who seems to be on perkoset most of the time, Sir Thomas, a stern man who evolves, and another aunt, Mrs. Norris who is pretty much the same person as Aunt Livinia from Washington Square. Cranky, self-important aunts seem all the rage in the 1800s.
Fannie comes to find her place at Mansfield, helping out and hovering in the background. The only person who shows her genuine kindness is Edmund, the younger son destined for the clergy. As soon as the hormones start rolling in the kids they are making matches. Maria hooks up with the blowhard but rich Mr. Rushworth. Two new characters are introduced, Henry Crawford and his sister Mary. Mary sets her sights on Edmund and Henry goes after everyone. Crawford's untoward advances to Maria, who's engaged and Julia irk Fannie. Mary is a seductress who seems like she's after some cash. The real action starts in the latter half of the book when Don Juan Crawford decides he's in love with Fannie. It started as a teen movie kind of joke, "I'll make her fall in love with me for fun," but then he actually starts to love her. Fannie is horrified. Although he is a gentleman, Crawford is abhorrent to her. Despite Crawford's very determined efforts and Mary's friendly urgings, Fannie holds out. No one can understand why she'd turn down such a upward move in status. In the meantime Edmund is in love with Mary Crawford. They have a difference of priorities when it comes to money. Edmund is about living humbly (even though he lives at an estate with a boatload of servants) while Mary is all about the glamorous life. This rift turns into an unconquerable obstacle when the unthinkable happens. Despite his protestations of love for Fannie, Henry Crawford runs away with the married Mrs. Maria Rushworth. This scandal is taken relatively lightly by Mary, who urges Edmund to make the best of the situation without criticizing the absconding duo. This enrages and saddens Edmund and he ditches her.
Fannie is vindicated by Crawford's faithlessness but the mood at Mansfield is dour. She comforts Edmund and eventually he starts to see her as she has always seen him, as a potential mate. This cheers everyone up and they live happily ever after.
Money and class are central to this novel. Fannie comes from a poor family and moves to Mansfield. The manners and decorum of the place, the respect for each other that is present at the estate is not at her Portsmouth home. When she returns home after years away she can't bear the din and racket of the city house. Money is also a key to the relationships in the book.

Rating 9/10: A wonderful story and fun read. Austen is outstanding.

Wednesday, December 26, 2007

Next Up

Mansfield Park by Jane Austen

Washington Square


Henry James (1843-1916)

James was one of the main proponents of realism and that's what we get in Washington Square. The story centers around the courtship and engagement of Morris Townsend and Catherine Sloper. The Slopers are a good New York family, wealthy and respected. Dr. Sloper is a successful physician who's always had a strange relationship with his daughter Catherine. She never measured up to her deceased mother, either in looks or smarts. Sloper quickly acknowledged her deficiencies and contented himself with expecting very little from her but quiet concession. Throughout the novel Sloper anticipates the action. He sees that his daughter would be susceptible to a gold digger. Lo and behold Catherine meets the gorgeous hunk, Morris Townsend.
Townsend's motives are always suspect. He's handsome and eloquent but really lazy. That tips off Sloper. Catherine's feelings towards Morris are likewise confusing. She likes the attention from the sophisticated man about town, but it seems like she could take him or leave him. What ensues is a Machiavellian battle between the sharp and smart Dr. Sloper and the suave, conniving Townsend. They kick Catherine back and forth, with little thought for her feelings, in an attempt to be "right." For her part, Catherine is far too deferential to her father and not aware enough to suspect Townsend's motives. Things are not helped by Aunt Livinia's Lady MacBeth-esque behind the scenes machinations.
Finally, Sloper plays his Trump card, he decides to take away Catherine's inheritance if she marries Morris. The ball goes to Townsend's court and he decides to quit the game. Why? It's never clear whether he was truly after her cash, it certainly was part of his attraction to Catherine, but it wasn't his only attraction. Henry James vaults about twenty-five years into the future where we find Sloper dead and Catherine an old maid. An older and less attractive Townsend shows up one day and begs her to be "friends" again. The years of experience had served Catherine well, she shows some fortitude and tells him to go away.
The star of the book is James's writing. The way he enters the character's thought processes is brilliant. We get to hear what characters say under their breath, the hustle and newness of New York City is nicely depicted, and the power struggle in relationships is palpable. There is a weird filial control that Sloper exerts over Catherine, but that could be more the product of the 1830s than anything else.

Rating 7/10: Henry James sets us up with for a major event in Washington Square. Maybe the murder of one of the big three, or even Livinia. The long awaited marriage of Catherine and Morris never happens. So we never get to see how Sloper would have reacted to that betrayal. Instead we get a very understated, but emotional conclusion. Brilliant style, memorable characters, but the plot points could have used a bit more umph.

Wednesday, December 19, 2007

Next Up


Washington Square by Henry James.

The Woodlanders


Thomas Hardy (1840-1928)

The real star of The Woodlanders is, not surprisingly, the woods. The environment shapes the people who live within. Those who stray from its bounds or enter from the outside are in trouble. The book starts with an introduction to Marty South, the woman most attuned to nature in the novel. She stands on the periphery for most of the story, acting as a deux ex machina in a few situations. She is involved in the love quadrangle that is at the center of Hardy's novel.
The people in the quadrangle are: Grace Melbury, a native of Hintook who's left to gain a great education, Giles Winterbourne, a native of Hintook who is in sync with nature and the consummate good guy, Dr. Edred FitzPiers, a physician who moves to Hintook and the aforementioned Marty South. Grace's father drives the action, making dumb decision after dumb decision. Grace and Giles are destined to be married. They like each other and Grace's dad owes Giles's dead dad for messing with his girl in olden days. Both Grace and her father are seduced by FitzPiers and his powerful family name. They bail on poor Giles and Grace marries Edred. Lo and behold he turns out to be a jerk and cheats on her with the local party girl Sook Damson, and then with the woman who runs Hintook, Felice Charmand.
Well this crushes Grace and her father. He tries to get a divorce for his daughter who tries to rehookup with Giles. The divorce doesn't go through and she's stuck with an absent FitzPiers. she runs away to Giles. He's so honorable that he gives up his little hut and sleeps outside, even though he's very sick. One day he doesn't come to the house and Grace finds him dying. He dies despite the called in FitzPiers's efforts. Once again Grace is very sad.
Grace and Marty South, who's kind of had a working relationship with Giles, go to his grave every week. FitzPiers tries to get back with Grace and slowly succeeds. One night when they're supposed to meet they go on a walk and get far from town. They decide to stay in another small town together and they make up. Poor Marty waits forever for Grace to meet her to go to Giles's grave, but Grave doesn't show. Finally, Giles is Marty's.
Hardy's description of the woods are beautiful and haunting. They scare the hell out of Marty's dad, who dies of a hysterical fright of the tree outside his window. People get lost in the woods multiple times and life seems to follow the rhythm of the trees. Marty is the best and truest person in the book, it's a shame Giles couldn't get over the overrated Grace and see Marty for all her positive attributes.

Rating 9/10: One of the best endings to any book I've ever read. The action with the failed mantrap attempt and the rejoining of Grace and FitzPiers distract us from what's going on in Hintook. The novel ends with Marty, stood up by Grace, with a basket of flowers for her love, Giles. The transition from the joy of Grace and FitzPiers, who's a big punk ass, to the despondent yet jubilant Marty. Finally Giles is hers and hers alone.

Sunday, December 2, 2007

NEXT UP


The Woodlanders by Thomas Hardy.

Sunday, November 25, 2007

The Way of All Flesh


Samuel Butler 1835-1902

Our narrator in The Way of All Flesh is the middle-aged writer Mr. Overton. In many ways he is far more interesting that his "hero" Earnest Pontifex. Overton writes burlesques in Victorian England and he uses his wry sense of humor to lampoon the era and its embodiment, the Pontifex family. The book starts slowly. Overton is a friend of the Pontifex family who is peripheral for the first half of the novel. The patriarch of the Pontifex family is the benevolent John. He is an artist and a humble country man. His son is George, a smart, ambitious kid who makes good publishing religious tracts. Two of his children, Alethea and Theobald play important roles in the narrative.
We get a full account of Theobald's strange courtship of Christina. It is a sly commentary on the very unromantic machinations that parents often put in place to get rid of unmarried daughters. One of their children, Earnest Pontifex, is our main character. So halfway through this 320 novel we finally get to know our main character, Earnest. This is both an interesting and frustrating part of The Way of All Flesh. We get to see how generations of development lead to an individual's personal characteristics. The lineage of John, George, and Theobald is the main force directing the way Earnest behaves. We also get to know a woman from the Pontifex family, Aunt Alethea. Her self confidence, not conceit, is refreshing and she is a genuinely friendly person. Yet, despite the interest that the family history provides, Butler's genealogy of the Pontifexes can become tedious at times. It simply takes to long to get to the meat of the book, only when Earnest enters the fray do we get any tension and drama.
Earnest is set to be a typical Pontifex in the tradition of the very traditional George and Theobald. He shuffles through life at his miserable prep school and Cambridge. He doesn't stand out in school and is easily led astray by stronger personalities. His father, a stronger personality, assumes that Earnest will enter the clergy, and Earnest goes right along with this path. When he enters the clergy, however, he isn't ready for what faces him. He never really studied what he now preached. Easily swayed by Pryer, another priest, he enters a scheme of making money to open a blasphemously odd religious college. Pryer was interested in cash, not religious education and he quickly fleeces Earnest.
Earnest is nearly at his wit's end because of his religious confusion when he enters into a brilliant scene. He roams throughout his boardinghouse and tries to convert various tenants. They all ask him questions that force him to consider his line of work. Finally he tries to convert a prostitute. He finally goes off the deep end when a classmate he admires arrives early for an appointment with the young lady. He is jealous and feels betrayed by his choices. He heads over to another young lady's apartment and, assuming she was also a prostitute, makes some moves on her and takes it too far. Enraged, she calls the police and he is sentenced to jail.
Aunt Alethea did not live to see this shameful incident, but she had become interested in her nephew. She decided she would leave her money to Mr. Overton. Mr. Overton in turn would keep the money until Earnest turned 26, upon which time the money would be turned over to an unsuspected Earnest. The only caveat to this was that Earnest could not crash and burn during this time. The arrest was not a good start. Earnest, however, was unburdened by his change in status. He eschewed help from his furious father and refused to take a do nothing job with Mr. Overton. Instead, upon release, he started a tailor shop. He completes his fall to the working class by marrying a former maid at his parents' house, Ellen. Ellen was beautiful and charming, but an alcoholic who ran with a bad crowd. Earnest was drawn to her, however, and without knowing about her drinking problem, he married her. This infuriated Mr. Overton, a bachelor, who felt that Earnest could never regain his upper class standing with the anchor of Ellen. In truth, Ellen was a godsend in starting his business. For awhile she helped in every facet of the tailoring enterprise. Eventually she reverted to her former lifestyle which shocked and dismayed Earnest. He was resigned to a life with a drunk until he ran into a former coach driver at the Pontifex house. The coach driver told him about his marriage to Ellen, which was also derailed by her drinking. This joyous news meant that the Earnest/Ellen married was null and he was a free man.
Earnest's life is rejuvenated, Mr. Overton let's him manage the money for a while before revealing that the cash is actually his. Eventually Earnest makes his way back and boosts his sick mother's spirits. The ending is pretty lame, to tell the truth, Earnest has grown up and proves to his family that he doesn't have to rely on them.
My knowledge of the Anglican Church hurts my reading of this book. Theobald's religiosity and Earnest's experience in the cloth are interesting commentary on the state of the church. Earnest also finds employment writing books about religion and other things that people besides himself might not be able to say publicly.
The real brilliance of this book is the humor and the generational development. I wish Butler could have cut to the chase a little faster, but once we meet Earnest the book picks up.

Great Quotes:

"Having, then, once introduced an element of inconsistency into his system, he was far too consistent not to be inconsistent consistently..."

"He should not have had the courage to give up all for Christ's sake, but now Christ had mercifully taken all, and lo! it seemed - as though all were found."


"The greater part of every family is always odious."

Rating: 6/10 The generations of Pontifexes rise and fall, that is the beauty. Earnest couldn't learn how to be a gentleman until he fell all the way to the cellar, and even then he didn't really want to be a gentleman.

Wednesday, November 21, 2007

New Widget
















You may have noticed the new Wine Library widget on the lower left. I watch two blogs a day, TPM Media with Josh Marshall and Wine Library with Gary Vanyerchuk. After I get done walking my dog Fluffington (above right) while listening to great classics I like to kick back with a nice beer or glass of wine. Lately I've been hitting the Menage a Trois red blend as I ruminate on the narrative voice in The Way of All Flesh. But Gary is helping to expand my wine horizons. Readin' the Classics lives in Nebraska, so our wine selection isn't top notch, but we do the best we can and can use all the help we can get. Thanks to Gary for his great show.