A Room with a View

EM Forster (1879-1970)

Firstly, do you think there's another span in history where more stuff changed than 1879-1970?

I've tried to get into A Passage to India several times and never had much luck, so I was a little nervous when BJ Harrison announced he was doing a 10 part series reading A Room with a View on his awesome podcast. I was pleasantly surprised with how much I liked this short novel. The characters are lively and fun, and you can tell Forster is really smart without him beating you over the head with it.

Lucy Honeychurch is on vacation in Italy when she meets an odd father/son duo named Emerson. Dad is kind of an outside the system proto-hippy and his son George is kind of a down in the mouth philosophical dreamer. Lucy is probably 20, struggling to find her place in her stuffy Edwardian era social circles. Forster introduces us to a full cast of characters in Italy from the most embarrassing tourist to the most seasoned traveler who's still embarrassing because they think they're Italian.

The Emerson's are notable because they refuse to abide by social norms, they tell things like they are and don't sugarcoat anything. They become a curiosity but not someone that polite people want to be seen with. This awkwardness comes early when the Emerson's hear Lucy and her companion opine about having a better view from their hotel room. When the Emerson's offer to simply switch rooms with the ladies all sorts of social ramifications are set into motion. On a trip to the country the couple kiss and are caught in the act by Lucy's cousin. This act of impropriety ends part one.

Part two is back in England where Lucy is engaged to Cecil, who, to be frank, is kind of a dick. He talks down to women, is really boring, and won't play tennis. Another string of occurrences lead the Emerson's to town where George renews his courting. Lucy loves him, but he's not an acceptable match. She breaks it off with Cecil and decides to bolt for Greece before she meets one more time with Mr. Emerson who convinces her to get with George. They're married and hanging out in Italy, her family is mad but they'll get over it.

Two big themes in Room, adhering to society's expectations versus being free and the role of fate. The dichotomy between the Honeychurch's and the Emerson's is clear, societal rules or be free. Luckily Forster made the whole situation more nuanced than that. Because the Emerson's are so rigid in their screw the system attitudes they are almost as trapped as the Honeychurch's. Emerson and Lucy think about how fate plays into their lives. So many coincidences and long shots have to come through for them to be together. Lucy tries to avoid George even though she loves him, but he just keeps appearing.

Rating 6.5/10: It's a cool inspection of British customs in the early 1900s and the characters are interesting, but not much in the way of plot.

Little Dorrit

Charles Dickens

I'm back baby! Little Dorrit almost derailed me with its terribility, but I survived. This is Dickens, A Christmas Car, Great Expectations, Oliver Twist, A Tale of Two Cities etc. etc., so we should be pretty safe picking up one of his books. Even Dickens worst, Bleak House, was endearing after a slow start. Well, Little Dorrit is a big letdown. Memorable characters are limited to Flora, the motormouthed ex-girlfriend of the bland and boring Clennam.

We start in prison in France, a moderately interesting scene with a man named Rigaud who allegedly killed his wife and has switched identities several times. Sounds pretty rad, right? So there's your villain. We ditch Rigaud for awhile before he returns with a nefarious plot, perhaps the worst thing a person can do, blackmail an old woman with a moderately embarrassing secret from 45 years ago. Oh the excitement.

Most critics would say the real villain in Little Dorrit is the debtors' prison and the lack of a social safety net. We find the title character and her father in Marshalsea Prison, they've been screwed over by Clennam's mom who's a real piece of work. The prison is a community unto itself with interesting social interactions and a hierarchy of leadership.

By the end of the book everyone is back to being poor and living in the prison. except for Mrs. Clennam because of bad investments. Normally I don't like to spoil the endings of the classics, but let's be honest, none of you are going to read Little Dorrit. I also want to review the end because it is outrageously stupid.

Rigaud blackmails old lady Clennam, she pretty much tells him to eff off, and, after sitting in a wheelchair in her house for 20 years she gets up, leaves the house and heads to Marshalsea to tell Little Dorrit she's sorry. This accomplished she heads home only to pass out in front of her house which promptly collapses, killing Rigaud. I'm not making that up, Charles Dickens actually wrote that climax. I have a feeling he was about 10 pints deep into the wassail.

The relationship between Little Dorrit and Clennam is also strange. Clannam is a 40ish business man who's sort of estranged from his mother. Little Dorrit takes care of her dad in the prison, she's 16. Clennam becomes her protector and they fall into tepid love with each other.

Rating 3/10: Boring, contrived, no characters worth caring about. This makes two Dickens books on the classics list that don't belong. Dorrit & Drood.